It was like listening to "Hotel California" for the first time. Immediately, I was enveloped by smooth, uncolored sound. I then inserted my 24-karat-gold-plated Eagles disc and readied my pen to take notes. I left the gain settings at slightly beyond the halfway mark, which later proved to be more than adequate. I connected each of the 150-watt, ported-enclosure subs in the front of the room and adjusted the crossovers on each to complement the main speakers. Mirage also shipped a pair of FRx-S12 12-inch subwoofers for the review and noted that I could use one or both, depending on my room requirements. The three crossover positions allow for flattening or enhancing of the midrange and high frequencies, and there's a "free space" setting for standalone placement (such as on a stand in the room).įor my listening evaluation, I placed the left and right speakers vertically on stands approximately 24 inches high, the center horizontally 18 inches high, and the rear speakers to the sides of the room at an approximate height of 5 feet. The effort by Mirage to include such a feature should not be overlooked. While many companies recognize this fact, Mirage is one of the few companies I've come across that has actually addressed this in their crossover design.Īfter I set up the ensemble in our HT sound lab, I played with the three crossover settings on the front of each of the HDT-Rs. Every room is different, and every installation application is unique. Given the same placement, every speaker will behave differently. After a few days of proper speaker burn-in, I was ready to find out. It went on to talk about dialing-in the speakers and even listed recommended reference listening material (complete with track numbers) for both music and cinema! I began to wonder if this was just a marketing ploy to distract consumers (and reviewers) from the product (call me negative). I was pleased that Mirage took the time to explain the history of good sound and included an in-depth chapter on proper speaker placement.
In the meantime, I thumbed through the comprehensive Mirage HDT owner's manual. I plugged the speakers into our Krell A/V Standard pre/pro and KAV-500 amplifier and began burning them in for the recommended 50 to 100 hours. And I was sure the three tweeters in each of the HDT-Fs (left, right, and center channel) combined with the four additional tweeters in each of the HDT-Rs (rears) would have my ears bleeding by the end of the first listening session. I'm usually pretty good at judging a book by its cover when it comes to speaker design versus sound. Scratching my head, I couldn't figure out what the sonic benefit could be. I must admit that I giggled like a schoolgirl when I saw the first of the five Mirage High-Definition Theater speakers.
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Likewise, when it comes to speakers, you can usually get a good idea of the limitations or exacerbations of a speaker by the types and number of drivers it has. I was so taken in by the possibilities that I failed to explore the reality-a big mouth equals a loud mouth. I once dated a girl in college who had a unusually large mouth.
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